Instead, I used my usual tinted moisturiser and then applied Hollywood Flawless Filter to the tops of my cheekbones, cupid's bow and brow bone.
The second time I tried it, I steered clear of my forehead and chin because I produce a crazy amount of oil in this area and don't need any extra glow there.
CHARLOTTE TILBURY HOLLYWOOD FLAWLESS FILTER SKIN
I asked my friends if it looked like I was wearing any makeup, to which they said "no, but your skin looks great". It provided enough coverage to reduce redness and blur minor imperfections, but it just looked like my skin. The product is a similar colour to a foundation, but when you blend it out it has a pearlescent, perhaps slightly pink glow to it (for shade No 2 at least).įor my oily forehead it was a bit much, but everywhere else just looked like I'd had the most hydrating facial known to man. The product didn't look shimmery or glittery. It has the versality of a primer, the mega-watt glow of a. The shimmer was very, very fine, so it had a lit-from-within effect rather than appearing overtly shimmery, even when applied as a standalone highlighter. Discover the revolutionary NEW customisable complexion booster hybrid from Charlotte Tilbury Beauty, the Hollywood Flawless Filter. Darlings, my Hollywood Flawless Filter is a customisable complexion booster with the versatility of a primer, the mega-watt glow of a highlighter, and the. It was so gloriously glowy, I almost passed out. Charlotte Tilbury Fair (2.5) Hollywood Flawless Filter (44.00 for 1 oz.) is a light-medium, peachy gold with warmer, more golden undertones and a luminous, pearl-like sheen.
I started by applying it on its own, all over my face. The wand applicator is similar to a doe foot lipgloss, only bigger, and I used it to apply the product directly to my face and then blended using either a sponge or my fingers.Īs the product is so multi-purpose, you can use it in various ways. The bottle is signature Charlotte – glass with a luxe gold lid. The product is available in seven shades to suit various skin tones, and No.
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